Фиды
Over the last few days, some people have been messing with the Punk Zine Archive site. None of it was malicious, but I had no luck in preventing it either. To avoid any bigger problems, I have shut down the site.
The idea behind selling advertising space to record labels was to use the money for more hosting and increased security. As the site grew over the years, I thought more labels would be interested. Although a few labels advertised, others weren’t interested no matter how big the site became. Without the additional money, more security wasn’t possible.
Thanks to everyone who helped support the site over the years. I hope everyone enjoyed it. With my newly found spare time, I’ll be working on some music.
Thanks,
Adam
Honestly, when someone emailed me asking if I wanted to review their "kids in sports films" zine I was a bit wary. I mean, what the hell type of topic is that? But ultimately that's one of the things I love about zines: they can be about anything. And by having people send or trade me their zines I end up reading some weird stuff that I would never seek out.
So this zine pleasantly surprised me. It begins with a discussion of the ideas behind "kids in sports films" and how they generally follow identical plot maps, feature the same type of characters, have the same messages, and are pretty damn predictable. Now after reading this you might wonder why someone would even bother watching them, but I think if you know anything about any type of genre fiction you know that they have the same tropes that they follow pretty frequently. I mean, I watch terrible science fiction action films and read a lot of super hero comics, and you can describe those in such a way that they sound incredibly awful (and to many people they are!). Yet I enjoy them anyway, even if they are bad a lot of the time.
By Myron Smith
$2
PO Box 354
Ridgeway, VA
24148
USA
When I made my last zine (Potato Maze) I was super stoked with the maze I made for the cover. I thought it was incredibly cool and I was really proud of it. After reading the first issue of Crazed Mazes I'm incredibly glad that I waited so long until I read it, because now all sense of pride has disappeared.
The mazes in here really are crazed! No basic rectangles here, rather the mazes form faces, symbols, trees, and pictures that I didn't even understand were mazes until I looked at them. The difficulty of the mazes differs from ones that looked too hard for me to even try to ones that are pretty simple (because all of the borders are cats or fish, adorable!), so there should be some for everyone to try.
If mazes aren't your thing there are also find the object drawings set at a circus and on the street, and a crossword! The answers to everything are also in the back, so if you're really not sure how to finish one of the activities you can always cheat (or "check your answers").
By Eric Baker
While I've categorized this as a comic (and it is one), I think it can be better described as an illustrated "children's book". Baker has taken certain aspects of comics (speech balloons) and added them to a single large picture on each page.
The story concerns a young boy's quest to find the titular frog somewhere in a forest. Baker has chosen to present the narrative text and the characters' speech in rhyme. Combined with the somewhat repetitive nature of the text this means that the story seems as though it should be read out to someone else (while of course showing them the pictures at the same time).
The art is all pretty good, and I enjoyed Baker's depiction of various frogs and other animals. He's also put a lot of work into the general appearance of this book, with end papers, page numbers, and a "This book belongs to" page. It's all very professional and nice to look at, though I did think that the colouring could have been a bit brighter.
It's pretty clear that I'm not the target audience for this, but I can see kids enjoying either reading it or having it read to them. Let's hope that this is what's happened with other copies of this story.
Edited by jimmy possession
www.robotsandelectronicbrains.co.uk
This music zine is packed full of reviews, interviews, and articles about music and bands. Unlike most zines of this type it doesn't focus on one particular genre and the content can go from discussing Welsh language hip hop to the bands influenced by '60s French pop music.
Writing about music can be a pretty difficult thing to do, and I think even the best writers are writing it for people that read music writing. Thus, as someone who doesn't know that much about music I often felt a bit lost when reading some of the content here, which perhaps can be said to be aimed at the sort of people who spend their weekends searching through crates of records at garage sales in the hopes of finding that one amazing seven-inch.
By Kagey
wemakezines.ning.com/profile/kagey
Reviewing perzines is hard sometimes because they are so personal. When someone is spilling out their mind and their soul onto the page it's difficult to criticize their layout or their writing style. It's even harder when the person writing the zine is a friend of yours. You can find out more about what they think and how they feel by reading a zine they made for dozens of strangers than you ever did by talking to them.
Saying all that I did enjoy this zine. I felt a connection to Kagey and her fears and anxieties. The physical and metal actions she describes rang true with me, and I thought about putting on masks and pretending to be someone you're not, drinking in art galleries, and awkward conversations. "One thing you hate about being drunk is that, while you forget your shyness, you're still as awkward as ever, so you cringe harder in retrospect." (And even if you're not actually that awkward, your mind still concentrates on the small details and ignores the larger picture.)
Behind the neat cover (both sides open like doors) lies a a comics anthology put together by a group of creators in Ohio. They function like a writing group, getting together every few weeks to show each other what they're working on and to give constructive criticism. Twice a year they put out an anthology, and this is the 13th. Impressive!
This anthology is based around the theme of superstition and bad luck, and, like all anthologies, the contents are up and down with some comics just leaving me confused as to why they were even created. (Though I suppose that could just because because I don't really see the appeal of baseball.)
The two comics I liked the most were one by Craig Bogart that told of the unfortunate ends of the various contributors to this "unlucky" book. Each person is given a panel and their fates are revealed as everything from being forced to see the world like Thomas Kinkade to being burnt alive. No fun!
Edited by Keith
You know, the only way to get better at writing (or anything) is to do it every day. Do it all the time and you will improve. I've really been slacking on that front, but I feel like I've turned a corner and am doing zine stuff again (I've already posted more reviews than last month!).
Thus the importance of zines like this, which provide amateur writers with somewhere that they can submit their work to. I'm pretty much stealing this idea from the introduction where the editor says that he sees the zine as social work and wants it to promote writing and give more people the opportunity to read work (and to have writers have their work read). And yeah, what's the point of making a zine if nobody's going to read it?
Mostly though, the content of this zine didn't really leave much of an impact on me. There's a bunch of poems, which generally go in one ear and out the other when I read them. I did like the first one, though mostly because after a mention of Bukowski in the introduction I heard it like this piece in my mind.
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