Фиды

straight outta shrewsbury and   full of brutality
one of the best uk zines of its era (the pop punk wilderness years!)

NEUROSIS, RUPTURE, DOOM, ANTICIMEX, CFDL, Chris Boarts (slug and lettuce) and Al from Nausea all interrviewed along with a ton of reviews and columns etc 

RIOT 6
whats the fucking point of slowing down if you don't go fast again!  inc HEALTH HAZARD, ECONOCHRIST, DEAD WRONG, CROSSED OUT , HELLNATION,DROPDEAD, HIATUS and sir Chris of Dodge himself

RIOT 7


ckdu.ca

CKDU is a campus radio station based out of Dalhousie here in Halifax.

(Aside: A friend and I used to have a radio show on the campus radio station when I was at university. It was called Meanwhile, Back at the Comic Book Shop and we talked about comics for an hour every week! That was over seven years ago, and I still miss it. I really need to start podcasting. If you're really bored you can go look at the archives in the blog I created for it, and read reviews to see what I thought of comics back in 2005. Oh, and apparently I wrote a bunch of stuff for it in 2009 after the show ended, I don't even remember that!)

Every year (I think) CKDU has a fundraising drive asking people to help support the station. A few years ago they put out this colouring book as part of the drive. It's not really a colouring book, but instead just some old show posters photocopied and bound into a book. I mean, I guess you can colour them in if you want.


shotgunseamstress@gmail.com
shotgunseamstress.blogspot.com

I've been hearing about Shotgun Seamstress for a few years, so I'm glad I finally managed to pick up an issue and give it a read.

Shotgun Seamstress is a zine about being black, queer, artistic, and punk. The zine uses interviews, comics, bios, and people's stories to discuss poverty, classism, racism, homophobia, and other related topics. This issue is all about money, and much of the content focuses on not having much/enough and why that's an issue in our society.

There are pieces on trainhopping, a photographer who didn't get any success until after he died, royalties in bands, and capitalism in general. My favourite piece was an interview done with Mick Collins (a member of the bands the Dirtbombs and the Gories). Collins is in his forties, and the piece discusses growing up in Detroit before hip hop, how that style of music has influenced black American culture, the co-opting of black culture by white people, how many blacks feel the need to conform, and why and how the black punk scene in Detroit was killed off.

 The 60c pencilled top right corner on the cover of this Printed Noise hints at a journey across the Atlantic and back to finally reside just across the Pennines from its Chorlton-cum-Hardy home. There’s a fine assemblage of bands for this second issue with Martin Clayton and Dirk R.E. Matrix interviewing A Certain Ratio, Joy Division (a choice typo has Peter Hood on bass! Rob Gretton gets his tuppence in, and bless Ian Curtis for exclaiming, “fanzines, you are the future of the world”),and The Teardrop Explodes (Julian Cope in comical messianic mode and Mick Finkler recalls Wire – just as Gretton did – just as Charlie Chainsaw did....). There’s an article on The Mediators and Manchester for Beginners puts the spotlight on venues (just the Factory and Band on the Wall really + a mention of City Fun fanzine Ed., Andy Zero reopening The Mayflower as Fun House).


By the Radar Friends and the Sonar Gang
(Two comics collectives which are now defunct, or at least their websites no longer work, I got this at contributor Jordyn Bochon's yard sale.)

It feels kind of weird reviewing older works by people who are still creating. Older works done by people who aren't that old are almost by definition not going to look as good as their current stuff. Drawing skills will improve, story telling will improve, hell, even knowledge about how to publish things will improve.

So yeah, I'm reviewing a five year old comic I got for free. How useful! Clearly my reviewing skills haven't improved in the several years I've been updating this blog.

This anthology features six different tales of daring do and thrilling undertakings. Tim Carpenter's Adventure Comics #371 is a tale of an early 19th century adventurer. Of course, as you can tell from the title it's also one in a longer series of stories that I don`t believe exist. This means that there isn`t really any beginning or end, though as I've definitely written my share of stories like this I can't really complain. Art-wise Carpenter has some nice use of shadow and blacks, though there's not much in the way of backgrounds.


Mark Novotny
5413 6th Ave
Countryside, IL
60525, USA
One dollar

To some extent I feel kind of weird reading punk zines and writing reviews of them while listening to Bjork. It's like my headspace and the headspace of the person working on the zine are completely different. Can I appreciate hot, crowded punk house shows, and the search for '90s emo records at the same time? Sure, but it seems so much more...theoretical than maybe it should.

But The Fury is a zine that perhaps encourages readings such as this. There are pieces on language and words that discuss the works of Derrida and the Deconstructionists (amongst others), and Novoty wonders how much of our society and culture is based around the language we use. How language can be changed to change the way that people think.

And so when reading the rest of the zine I became aware of the word choice that Novoty used. The zine may be typewritten, but I got the feeling that it had been through multiple drafts before this final version was put together. Novoty knows about the limitations of language, but is doing his best to convey his own feelings and thoughts to others in the best way possible/only way he knows how.

It's Chainsaw time again! Here's issue 5 of Charlie Chainsaw's smashing fanzine. Replete as ever with Charlie's charming comments. The editorial notes the move to double-sided printing and promises, “if I make a profit on this mag I’ll use it to get the bleeding N fixed!”. There’s a fetching snap of Charlie by Jon Romney of Negative Reaction fame and Mr.


By Steve Larderhttp://stevelarder.co.uk/
Just the other day I got an email from a 16 year old girl asking if punk was dead, and if I knew of any punk zines in the UK. One of the first to spring to mind (after thinking this email was one of the most adorable I'd even received) was Rum Lad, a zine of which I've enjoyed every issue I've read, and that I wish I'd read more issues. So I was excited when I recently found a copy of an older issue in the Anchor Archive Zine Library at the Roberts Street Social Centre.
While I would describe Rum Lad as a punk zine, it might not be what those words cause to immediately spring to mind. There are no record reviews, no band interviews, no political rants. Instead the main feature of Rum Lad are Steve's illustrations, which I really enjoy! Each page features one illustration and a bit of text jammed into it somewhere. The illustrations in this issue cover about six months in 2007, and it seems like Steve had a pretty busy year.

Lots of zines, maybe the majority of them on this site, have been deleted thanks due to fasthost harassment. Sorry, not our fault. Blogs are dead. Re-uploads are possible, but realistically probably won't happen... any time soon. Be happy, be bad. / PUNKS IS HIPPIES

 It has a dead swanky textured cover does issue 4 of NN4 9PZ; a lovely accompaniment for its sterling internals. Excellent work all around sees Chris, Mick, Neil, Tim, and Alan interviewing UK Decay, and Killing Joke (it must be said, the favourable write-up of the KJ encounter shows astonishing goodwill on NN4 9PZ' behalf). There's a mini-feature on Bauhaus; live reviews of 999/Pinpoint, The Zeros/Bauhaus/UK Decay, Antibodies, Killing Joke, UK Decay, The Crew/The Zeros/The Russians, Bauhaus/The Scars, Athletico Spizz 80; poetry from T. Sheppard, and a couple of interesting letters pages (T42 Seaman Stockton (Eklektik) corresponded) along with some of Chris' thoughtful responses. Of course there's the obligatory Playlist and a brief fanzine round-up. Pleasing indeed.
A2 scanned at 600 dpi