Фиды

I went to a bookstore today, and the clerk was holding a copy of a comic, reviewed in this issue of MRR, called something along the lines of Henry and Glen. He asked me if I liked the Misfits/Danzig, then told me Glenn Danzig had just walked past me as I was entering the bookstore. He had gone and grabbed the zine to prevent Mr. Danzig from having to see it and thus be upset if the warning Rollins wrote on the back of said book holds any weight… Anyway, I totally did not see Danzig, or notice anyone that looked remotely Danzig-like anywhere nearby even though he allegedly brushed past me after putting all the book store clerks on the guestlist for his show tonight. I am very disappointed and am, as I write this simultaneously watching the video of “Mother” on YouTube. This isn’t because I am not presently at a Danzig concert in 2010, I think that would be a spectacle and a disappointment, plus I don’t think I would have gone to see Danzig at any point unless it was free. Just disappointed that I did not get to gawk at him. DISAPPOINTED! All caps style. I like Danzig’s voice, but my favorite vocal stylings are those of Bobby Soxx, especially when he says “Even the laydeeeeeiiiiiizzzzzzzzzzzzzz.” (Apparently he doesn’t say it like that—I say it
like that. I do, frequently). LEARN TO HATE! IN THE EIGHTIEEEEEEEEEES.

А какого, простите, члена партии всё сообщество захламощено спамом? Если ioann665 удалил свой журнал, может, кому-то другому имеет смысл стать админом? Можно же подать заявку администрации жежешечки, провести какой-то опрос пользователей сообщества в конце концов... Не хочется, чтобы это сообщество умерло под грудами спамлинков. На крайний случай, если других желающих не найдётся, я бы на первое время мог бы взять на себя модерацию.

Quality Control No. 1 - Nationalism and Sound
Featuring: 10 UK Hardcore Punk Records You Should Know, Light in the Darkness by Citizens Arrest Song Rumination, Grass Roots vs Globalised hardcore punk discussion. Interviews with Invasion (Spain), The Sceptres (UK), Out Come the Wolves (Spain), Thee Vicars (UK), Jack from Frightener, Max 625, Adam Malik (Pain Runs Deep). Cover art by Tommyrot.
DOWNLOAD.

Quality Control No. 2 - Individuality
Featuring: Moving Targets (80s Boston Post-punk), Cold World (90s Vienna powerviolence), Nowhere Fast (00s Liverpool BMX Bandits), Boston Scene Report by Liz Libyans, various rants/articles including one on the state of the EDGE featuring various international contributors, and another about the Impossible Individual. Cover art by Glenn Smith.
DOWNLOAD.

This is a collection of random things that sprung into my brains. This is not an epic Greek poem, or a Victorian novel, this is not New Journalism, this is not bathroom graffiti. Random brains. Brain springs. We tried to watch the bio-pic cheezecore movie about Dogtown—not the Stacey Peralta documentary, but the movie with actors aping it. It was the sort of movie that whilst watching you wondered how no one involved realized how stupid and corny it was. As a punk I love teensploitation movies, from River’s Edge to Foxes, Out of the Blue to Ladies and Gentlemen the Fabulous Stains, but I was not able to transmit this love into the transformation of belief required to finish watching the absolute soiled turkey that was Lords of Dogtown. Someone ollies out of their second story bedroom in one of the first scenes, an act of very believable activity for this era of skateboarding especially on a banana board. I didn’t go see the Germs movie or American Hardcore; I probably shoulda seen the latter just for big screen dynamic eye catching ferocious footage of best bands ever. I just got so annoyed by the book I figured the movie would feature that idiot that wrote it in such a way that I might need to rip my eyeballs out after viewing. Maybe movies about culture that you feel a part of that are made for mainstream appeal should just be avoided unless it’s the midnite movie and you got a crew of rowdies?